The extraordinary adventures of an octopus as imagined by three children.

Skinny-dipping, hot summer kisses and an unexpected secret are just a taste of the drama to come in this frothy, tart and refreshing comedy about a group of gay Indian men. Achieving a milestone in Indian cinema, this is the first openly gay male movie from India and is an eye-opening exploration of gay sexuality and relationships in a culture far from accepting. This heartfelt melodrama begins when gay fashion designer Kamlesh (Ankur Vikal), reeling from a recently ended relationship, invites a group of friends ― both gay men and straight women ― for dinner at his parents' lavish summer home to gossip about their love lives ― or lack thereof. The situation reaches the boiling point when his sister Kiran (Rinkie Khanna) arrives with her new fiancé Ed (Atul Kulkarni), a man with an explosive secret. The action whips into a frenzy as the sexual tension builds and skeletons fly out of the closet. Writer/director Mahesh Dattani's colorful directorial debut (based on the play he wrote, On a Muggy Night in Mumbai) is a breezy, tangy and colorful peek into the contemporary life of Indian gay culture.

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Through masterful editing and a seamless interplay of sound and image, Catarina Gonçalves crafts a timeless cinematic essay on artistic motion. She follows 17-year-old Nina Pinzarrone, Belgium’s second-ranked figure skater, as she embarks on the delicate yet relentless pursuit of perfection while preparing for her first World Championships. Gonçalves’ intimate black-and-white cinematography remains devotedly close to her subject, capturing exercises and repetitions that reveal both resilience and vulnerability. The result is an elegant portrait of a talent in the making, and of the unwavering dedication behind every great achievement.

In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.

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Eugène Goupi returns to the village where he was born, where his parents want to marry him to a cousin. His uncle, Mains Rouges, gives him a somewhat chilly welcome. His return coincides with the theft of a large sum of money and the assault of his great-grandfather.

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In Reims, a group of women meet every week aboard a strange boat with a dragon head. Sandrine, Rose-Marie, Poups and Fanny don't know each other, but they all have in common that they have been fighting breast cancer. On the advice of their oncologist, Dr. Cuvelier, they will row to prevent recurrence, to rebuild themselves physically and morally, but also to exorcise the fear that lives inside them.